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The designer of choice for the royal family, Richard Quinn, showcased a charming and floral-inspired autumn/winter collection for 2024 at London Fashion Week.
The curved catwalk, that went around the vast and grade-listed 1901 Ballroom at Andaz London, was signposted by huge bouquets of pink and white roses and puddle-length floral-themed curtains.
The performance began with a live band, consisting of a string quartet and a pianist, captivating the audience.
The fashion and print designer from London included vintage-inspired wedding attire that highlighted curves and elongated limbs – reminiscent of high society sophistication.
It is rumored that Quinn draws inspiration from the late Queen Elizabeth II and other members of the royal family. In 2018, he unexpectedly appeared in the front row of his LFW show with US Vogue editor Anna Wintour and was presented with the inaugural The Queen Elizabeth II Award for British Design.
The designer’s 2023 spring/summer collection was inspired by her, as she left a lasting impression on him with her grace and kindness, just like she did with many others.
Each item in the latest collection has been created to withstand the test of time and was crafted with the future in consideration.
The show’s description stated: “The garments are not focused on hype, but rather meant to be treasured and passed on from mothers to daughters in the future.”
“These articles place emphasis on shape, volume, and craftsmanship, acknowledging the artistic aspect of fashion design through their internal structures and outer constructions.”
Some designs were available in both white and black options, both equally stunning. This included an A-line midi dress with an off-the-shoulder neckline and intricate rose detailing on the bodice and sleeves. The bottom half of the dress featured pockets and was adorned with elegant embellishments.
Another instance of this deliberate repetition was seen in a jumpsuit with a flapper-inspired fringe and sheer panel accents, as well as a crimped collar reminiscent of Tudor fashion.
One outfit featured a traditional white gown and wedding veil, while another was a black A-line midi-dress with a cross-hatch pattern, deep neckline, and bow at the waist.
The collection featured standout chiffon outfits with a floral theme. These included a high-neck black jumpsuit with flared legs and dramatic black feathers, as well as an oversized maxi dress adorned with feathers.
At the event, Terry Barber, the head makeup artist for the show and global creative director at MAC Cosmetics, shared his inspiration for the looks. He drew influence from the 1980s, Victorian era, “mannequin skin,” and certain characters from The Hunger film.
The majority of the models sported the MAC retro red matte liquid lipstick in Feels So Grand.
“I desired the lips to appear tightly shaped,” Barber stated. “We did not overline or remove any parts of the lips. We maintained a straight, tight, and structured appearance. This gives off an ultra-stylish vibe, similar to the look of Yves Saint Laurent models from the past.”
“We have not extensively discussed skin coverage. We applied powder and the MAC strobe dewy tint, along with concealer and foundation all over the face, including the eyelids and under the eyes, to create a faded look, reminiscent of Victorian style. To complete the look, we added a bold red lip. Additionally, we used a MAC pearl tint and highlighter on the upper areas of the face.”
“The two components, skin and lip, may seem simple but they have been meticulously crafted and perfected. The formula for the retro matte liquid lipstick draws inspiration from the iconic Russian Red shade, famously worn by Madonna during her Blonde Ambition tour. This shade is a bold, blue-based red that exudes a sharp and powerful vibe. The color Feels So Grand is also based on this iconic shade.”
“We applied one layer of lipstick, dusted the edges of the lips with powder, and then added another layer on top. I intentionally avoided a precise application and instead went for a freehand technique. Some of the models also had a net over their faces, but the make-up stayed in place.”
Certain models also sported vintage French rolls in their hair, which hairstylist Sam McKnight revealed was influenced by the Yves Saint Laurent models from the late 1970s and early 1980s.
“They are high shine, high gloss updos, styled with Sam Mcknight products, including the Love Me Do nourishing shine oil,” said McKnight, the lead hairstylist for the show.
Source: independent.co.uk
